4 bestPulpit Microphonesof August 2025
112M consumers helped this year.
1
Shure MX412/C Supercardioid Condenser Microphone, 12" Gooseneck with Attached XLR Preamp, Shock & Flange Mount, Snap-Fit Foam Windscreen
Shure
9.9
2
Shure CVG18-B/C Gooseneck Condenser Microphone, 18-Inch, Inline Pre-Amp, Flange Mount, Cardioid (Black)
Shure
9.8
3
BOYA Desktop Gooseneck Condenser Microphone 18" Podium Microphones with Base LED Indicator XLR Mic for Meetings Video Conferences Streaming Lectures BY-GM18CB
BOYA
9.6
4
Behringer TA 312S Dynamic Gooseneck Microphone for Vocal Applications, XLR
Behringer
9.3
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A Guide to Selecting the Best Pulpit Microphones
Choosing the right pulpit microphone is essential for ensuring clear and reliable sound during speeches, sermons, or presentations. The right microphone will help the speaker be heard clearly by the audience, minimize background noise, and blend seamlessly with the environment. When selecting a pulpit microphone, it's important to consider the specific needs of your venue, the typical speaking style, and the technical setup available. Understanding the key specifications will help you make an informed decision that enhances both the sound quality and the overall experience.
Microphone Type
The type of microphone refers to its design and how it captures sound. The most common types for pulpits are gooseneck and boundary microphones. Gooseneck microphones are mounted on a flexible neck, allowing for easy adjustment to the speaker's height and position, making them ideal for situations where multiple people use the pulpit. Boundary microphones are flat and sit on the surface, picking up sound from a wider area, which can be useful if speakers move around. To choose the right type, consider whether you need flexibility for different speakers or a more discreet look with wider coverage.
Polar Pattern
The polar pattern describes how the microphone picks up sound from different directions. Common patterns include cardioid (picks up sound mainly from the front), supercardioid (more focused front pickup with some sensitivity to the rear), and omnidirectional (picks up sound equally from all directions). Cardioid and supercardioid are best for pulpit use because they focus on the speaker and reduce background noise. If your pulpit is in a noisy environment or near speakers, a more focused pattern like supercardioid is ideal. For quieter spaces or when multiple speakers are present, cardioid or even omnidirectional may be suitable.
Frequency Response
Frequency response indicates the range of sound frequencies the microphone can capture, usually measured in hertz (Hz). A wider frequency response means the microphone can pick up both low and high sounds, resulting in more natural and clear audio. For speech, a range that covers the human voice (roughly 80 Hz to 15 kHz) is sufficient. If you want the speaker's voice to sound full and clear, look for a microphone with a frequency response tailored for speech, avoiding models that emphasize very low or very high frequencies unnecessarily.
Sensitivity
Sensitivity measures how well the microphone converts sound into an electrical signal. Higher sensitivity means the microphone can pick up quieter sounds, while lower sensitivity requires the speaker to be closer or speak louder. For pulpit microphones, moderate sensitivity is usually best, as it captures the speaker's voice clearly without picking up too much background noise. If your speakers tend to speak softly or stand further from the mic, a higher sensitivity may be helpful. For louder environments, lower sensitivity can help reduce unwanted noise.
Mounting and Adjustability
Mounting and adjustability refer to how the microphone is installed and how easily it can be positioned. Gooseneck microphones offer flexible adjustment, making them suitable for different speaker heights and positions. Fixed or boundary microphones are less adjustable but can provide a cleaner look. Consider how often the microphone will need to be repositioned and whether different speakers will use it. If frequent adjustments are needed, a gooseneck design is preferable. For a permanent, low-profile setup, a boundary microphone may be better.
Connectivity
Connectivity describes how the microphone connects to your sound system. Most pulpit microphones use wired connections, typically with XLR connectors, which provide reliable and high-quality audio. Some setups may use wireless microphones for greater flexibility and a cleaner appearance. Choose the connectivity that matches your existing sound system and installation preferences. Wired connections are generally more reliable for fixed installations, while wireless options are useful if you need to move the microphone or avoid visible cables.
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